Representation of the Peace of Utrecht 1713 in English Poetry
DOI:
https://doi.org/10.61726/3856.2025.98.54.001Keywords:
War of the Spanish Succession, Utrecht Peace, representation, English Poets, Whigs, policy, career, emotions, military commanders, diplomatsAbstract
During the formation of the Westphalian system (1648–1815), peace congresses functioned not only as arenas of negotiation but also as stages for representing the prestige and culture of each state. The article presents the most vivid examples of how the Peace Congress of Utrecht (1713) was represented in early Enlightenment English poetry. During the War of the Spanish Succession (1701–1714), Britain’s political scene became, for English poets, a European stage. Scholarly tradition has long maintained that one could easily distinguish Tory poets from Whig poets by their attitudes towards peace. The author challenges this assumption, focusing instead on the poets’ perception of the Peace of Utrecht and the thematic content of their poems. The reception of the Utrecht Peace by English poets was generally positive, and their poems sought to offer an appropriate representation of this significant event for Britain and to celebrate its heroes. Notably, some poets glorified the very act of peace and its architects, contrasting it with the previous years of warfare, while others emphasised that the foundations of the Peace of Utrecht had been laid through the deeds of its heroes — military commanders and diplomats. Among the poetic reflections, Alexander Pope’s Windsor Forest may be regarded as the most successful artistic representation of the Peace of Utrecht, whereas Thomas Tickell’s The Prospect of Peace is distinguished by its political neutrality. The so-called “Tory peace” was praised not only by Tory writers but also by poets sympathetic to Whiggism. Yet, regardless of political affiliation, the poets expressed in their works a unifying political idea that epitomised their patriotism and loyalty — the idea of British supremacy. Overall, the poetic representation of peace appealed to the restoration of material prosperity for the subjects and to the renewal of amicable relations among sovereigns.
Downloads
References
Bely, L. (1713). Méthodes et perspectives dans l’étude des négotiations internationales à l’époque moderne. L’exemple d’Utrecht. In R. Babel (1995), Frankreich im europäischen Staatensystem der frühen Neuzeit. Sigmaringen, Jan Thorbecke Verlag. (In Ger.)
Brown, B. C. (Ed.). (1935). The letters and diplomatic instructions of Queen Anne. London: Cassell and Company.
Browning, A. (Ed.). (1953). English historical documents (vol. VII). New York: Oxford University Press.
Bruin, R. E. de, Haven, C. van der, Jensen, L., & Onnekink, D. (Eds.). (2015). Performances of Peace: Utrecht. Leiden: Brill.
Brunstrom, C. (2014). “In Prose and Business lies extinct and lost”: Matthew Prior and the Poetry of Diplomacy. Digital Defoe: Studies in Defoe & His Contemporaries, 6. https://digitaldefoe.org/2014/10/30/in-prose-and-business-lies-extinct-and-lost-matthew-prior-and-the-poetry-of-diplomacy/
Bussman, K. von, & Schilling, H. (Ed.). (1998). 1648-Krieg und Frieden in Europa (Vol. 2). München: Bruckmann. (In Ger.)
Crispe, H. (1713). On the Honourable Board of Commissioners of Her Majesty’s Custom-House London; in the Year of Peace, 1713. London: J. Morphew.
Cummings, R. (1988). Addison’s “Inexpressible Chagrin” and Pope’s Poem on the Peace. The Yearbook of English Studies, 18, 143–158.
Dingel, von I., Paulmann, J., Schnettger, M., & Wrede, M. (Eds.). (2018). Theatrum Belli — Theatrum Pacis. Konflikte und Konfliktregelungen in fruehneuzeitlichen Europa. Göttingen: Vandenhoeck & Ruprecht. (In Ger.)
Duchhardt, H. (1987). Krieg und Frieden im Zeitalter Ludwigs XIV. Düsseldorf: Schwann. (In Ger.)
Duchhardt, H. (2019). Friedens-Miniaturen. Zur Kulturgeschichte und Ikonographie des Friedens in der Vormoderne. Munster: Aschendorff Verlag. (In Ger.)
Duchhardt, H. von, & Espenhorst, M. (Eds.). (2013). Utrecht-Rastatt-Baden 1712-1714. Ein europaeisches Friedenswerk am Ende des Zeitalters Ludwigs XIV. Göttingen: Vandenhoeck und Ruprecht. (In Ger.)
Duffer, A. K. (1988). “At once the Monarch’s and the Muse’s Seats”: The Politicаl and Pastoral in Windsor Forest. Muncie: Ball State University Press.
Friedensbilder in Europa 1450–1815. Kunst der Diplomatie, Diplomatie der Kunst. (2013). Berlin-München: Deutscher Kunstverlag. (In Ger.)
Higgons, B. (1713). A poem on the Peace. Inscribed to the most Honble Robert, Earl of Oxford, and Earl Mortimer, Lord High-Treasurer of Great Britain. London: John Morphew.
Klesmann, B. (2007). Bellum solemne. Formen und Funktionen europäischer Kriegsklärungen des 17. Jahrhunderts. Mainz: Zabern. (In Ger.)
Köhler, M. (2016). Strategie und Symvolik. Verhandeln auf dem Kongress von Nimwegen. Köln–Wien: Weimar–Böhlau. (In Ger.)
Legg, L. G. W. (Ed.). (1925). British Diplomatic Instructions 1689–1789 (Vol. 2). London: Royal Historical Society.
Newcomb, Th. (1713). Pacata Britannica. A panegyrick to the Queen, on the Peace, and the interest of British nation. London.
Parnell, Th. (2024). On Queen Anne’s Peace, London 1713. Poem Hunter. http://www.poemhunter.com/poem/on-queen-anne-s-peace-anno-1713/
Pope, A. (1951). Windsor Forest. In W. K. Wimsatt (Ed.), Alexander Pope: selected Poetry and Prose. New York.
Prior, M. (1706). An Ode – Humbly inscribed to the Queen, on the glorious success of Her Majesty’s arms. An ode, humbly inscrib’d to the Queen. On the late glorious success of her Majesty’s arms. Written in imitation of Spencer’s stile. London: Jacob Tonfon.
Prior, M. (1704). A Letter to Monsieur Boileau Despreaux, occasioned by the victory at Blenheim. London: Jacob Tonfon.
Richetti, J. (Ed.). (2005). The Cambridge history of English literature, 1660–1780. Cambridge: Cambridge University Press.
Rogers, R. (2005). Pope and the destiny of the Stuarts: History, politics, and mythology in the Age of Queen Anne. Oxford: OUP.
Sherburn, G. (Ed.). (1956). The correspondence of Alexander Pope (Vol. 1). Oxford: Oxford University.
Smith, M. (1713). On the peace: a poem Humbly inscrib’d to the most Honourable the Earl of Oxford and Mortimer, Lord High Treasurer of Great-Britain, & c. London.
The Congress. A Poem. Inscripted to the Right Reverend John, Lord Bishop of London. (1714). London.
Tickell, Th. (1713). A poem, on the prospect of peace. A poem, to his excellency the Lord Privy-Seal, on the prospect of peace, London.
Trapp, J. (1713). Peace. A poem: Inscribed to the Right Honourable the Lord Viscount Bolingbroke. S. P. [Stephen Powell] for J. Hyde.
Waller, W. (1713). Peace on Earth. A congratulatory Poem. London: John Morphew.
Weinbrot, H. D. (1993) The Cambridge history of British literature from Dryden to Ossian. Cambridge: Cambridge University Press.
Wesley, S. (1713). A hymn on peace. To the Prince of Peace. London: J. Leake.
Williams, A. (2005). Poetry and the creation of a Whig literary culture, 1681–1714. Oxford: OUP.
Williams, R. W. (1987). Pope and the “Painted Scene”. Sydney Studies in English, 13, 39–60.
Published
Issue
Section
License
Copyright (c) 2025 European Scientific e-Journal

This work is licensed under a Creative Commons Attribution 4.0 International License.
The European Scientific e-Journal (ESEJ) is an open access journal. Articles are available free of charge as PDF files on the website of the European Institute for Innovation Development. PDF files can be previewed with Acrobat Reader from www.adobe.com.
All articles of the “Tuculart Student Scientific” are published under a Creative Commons Attribution 4.0 Generic (CC BY 4.0) International license.
According to the Creative Commons Attribution 4.0 Generic (CC BY 4.0) International license, the users are free to Share — copy and redistribute the material in any medium or format for any purpose, even commercially (the licensor cannot revoke these freedoms as long as you follow the license terms).
Under the following terms:
- Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
- No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.