Net Art-Fine Art: Progressive Versus Destructive
DOI:
https://doi.org/10.47451/art2021-05-001Keywords:
digital, progressive, fine art, technologies, artistsAbstract
The mankind has always been in search of improving its technological discoveries; as a result, culture and tradition were strongly influenced by this progress. Is there art without technique and science? There is. But as far as it is that we can make art without technique, so true is that technique improves art and even help it to develop itself. Technique generalizes, it can deny the irreductible particular cases and forms. The digitalization has made progress and can go beyond the rules that art has already been using. By introducing digital technologies in the field of making art and also selling it, we need a guidance to make it clear what kind of practices are beneficent for those who are parts of the huge mechanism of the artistic world: artists, collectors, curators, art critics, art historians and last but not least for the art loving public.
Downloads
References
Baudrillard, J. (1981). Simulacra and simulacrum. Ed. Galilee. New York: Semiotext.
De Duve, T. (1989). Au nom de lárt. Pour une archeologie de la modernite. Minuit.
Fidler, R. (1997). Mediamorphosis. Thousand Oaks, CA: Pince Forge Press.
Giussani, L. (2005). The ego, the power, the works.
Levinas, E. (1974) Otherwise than Being or Beyond Essence. Duquesne: Duquesne University Press.
Saffo, P. (1992). And the 30 Year Rule. Designed World, 24.
Saffo, P. (December, 2005). Farewell informatio, it’s Media Age. Saffo. http://www.saffo.com/essays/essay_farewellinfo.pdf
Saffo, P. (2008). The best forecasters will be computers. Edge Question. https://www.edge.org/response-detail/10229
Published
Issue
Section
License
Copyright (c) 2025 Klironomy
This work is licensed under a Creative Commons Attribution 4.0 International License.
The Klironomy is an open access journal. Articles are available free of charge as PDF files on the website of the European Institute for Innovation Development. PDF files can be previewed with Acrobat Reader from www.adobe.com.
All articles of the Klironomy are published under a Creative Commons Attribution 4.0 Generic (CC BY 4.0) International license.
According to the Creative Commons Attribution 4.0 Generic (CC BY 4.0) International license, the users are free to Share — copy and redistribute the material in any medium or format for any purpose, even commercially (the licensor cannot revoke these freedoms as long as you follow the license terms).
Under the following terms:
- Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
- No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.
