Conservation and restoration of a fragment of the Royal Gate’s sash with the icon of Omen
DOI:
https://doi.org/10.47451/her2020-08-004Keywords:
sash restoration, conservation, the Royal Gates, the icon of Omen, St. PetersburgAbstract
The relevance of this research topic lies in the fact that in our time the public interest in church decorative and applied art has increased, the works of which represent historical cultural heritage and periodically need conservation and restoration. The window frame and the image on the icon are inextricably linked to each other. The author of the article introduces to an unusual and uncharacteristic set of fragments of two monuments, connected in an arbitrary composition in the form of a frame to the icon, for the purpose of its exposure and utilitarian use. She tells about the technological features of the practical restoration of these two monuments with distortions of their original finish as a result of previous unprofessional restoration.
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