Rhythmical Models of Folk Art ― a Way to Educational Integrity

Authors

DOI:

https://doi.org/10.47451/ped2022-01-01

Keywords:

rhythmical model, hologram, integrity, folk art, educational entirety

Abstract

The paper describes the folk art/folklore as a system with different elements (each individual art), which work and coexist, forming a symbiosis. Every single art has its own characteristics, but its development depends on the others. These parts — the trinity, called folk song (music, poetry and dance); the fairy-tale; the proverb — came to us thanks to word-of-mouth. However, folk art is not just that, it is also a ritual bread, embroidery, an ancient Bulgarian home. This entirety has its own symbols, that give us knowledge of everything — of who are we and what our Way is. Rhythm is the founding principle, upon which this entirety is built. Understanding folk art as a symbiosis, a hologram and a system may help children see not only the different parts of the world, but the world as a whole, and that could potentially change the entire educational paradigm.

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Author Biography

  • Liuba Atanasova Zlatkova, Konstantin Preslavsky University of Shumen

    Associate Professor, Ph.D. in Methodology of Music Education, Department “Music Aestetics, Music Education and Performance”, Faculty of Education

References

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Published

2022-02-10

How to Cite

Rhythmical Models of Folk Art ― a Way to Educational Integrity. (2022). European Scientific E-Journal, 16, 57−67. https://doi.org/10.47451/ped2022-01-01

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